Here are some pictures of my 1978 Veillette Citron. It's a shame that not many people know of this company as this is one of the finest instruments I've ever had the pleasure of owning.
Everything about the guitar is top notch. I'm not much for quilted woods, but this one is more subtle and isn't a quilted maple cap - the body wings are solid quilted maple (the pattern carries across the front and sides to the back). All the hardware is custom made; the brass knobs, strap buttons, control cavity cover, bridge and tailpiece are all deliberate, non-mass produced design choices. The electronics (which appear to be simple) are actually quite sophisticated as each of the volume knobs is a push-pull coil tap affair whereas the smaller switch is a phase reversal switch; however, unlike other manufacturers (B.C. Rich comes to mind) the control layout is still very clean. All of the sounds are genuinely usable.
The neck has a 25 & 5/8" scale length. The action is very, very low and there is absolutely no buzzing; if you hear any buzzing you are playing sloppily and the guitar will let you know.
You can't help but think Alembic when you look at it, which is unfortunate as it really should be considered on its own merits. These guitars are still changing hands fairly cheaply; if you find one you owe it to yourself to try it.
The Veillette Citron company is no longer in business as far as I know, but Veillette still makes instruments, usually with non-standard scale lengths/string arrangements. Some history on the company can be found here:
From the maker of the Union Flag guitar we looked at previously (and which is listed on eBay again) comes this guitar for lovers of retro video games, the Pacman guitar. Again, the maker/seller is claiming this is a "prototype" but I can't really imagine that these novelty designs could ever go on to become fully-fledged production guitars; I think he'd be better off continuing to build individual novelty guitars, perhaps offering a bespoke service for bands wanting crazy designs.
And - before someone comments - yes, I am aware of the other Pacman guitar that has appeared on just about every internet guitar forum devoted to "weird" guitars.
The above guitar is currently listed on eBay UK with an optimistic Buy It Now price of £330.
Guitarz reader Richard saw this guitar in the UsedOttawa.com classified ads:
Vintage, small scale Harmony acoustic guitar, stripped down and fancied up with Elvis images. One of a kind strummer for the Elvis completist. Comes with new bone nut and saddle for added twang, Andy Warhol print on front, and the infamous burnt toast image on back.
It's definitely one to file under "Wacky finishes". With a price tag of $330 I think it's also one to file under "Optimistic sellers"!
Monday's mention of Austrian guitar makers made me think you should mention another one - Andreas Guitars - metal fretboard, larch wood (burnt) bodies (it's like a 3D wood effect)... built around 2000. They also have a weird rubber finish (not very durable).
I have 4 of them!
Later ones had wood fretboard + Heussel pickups (NAMM show). Later company was purchased by Infeld, who seem to have given up soon after on manufacture.
Here's another all-American vintage Guild guitar; it's a no-nonsense single pickup Guild S-50 Jet Star from 1966. It has a subtle sunburst finish (red burst?), a Firebird-esque headstock and its single pickup is placed decidedly in the centre position - which, as I have argued before, actually makes very good sense tonally if you have to have just the one pickup on a guitar.
This is currently being offered for sale via Vintage and Rare for a very reasonable €850.
I'm going to be really lazy today (hey, it IS the holidays) and copy extensively from the eBay listing for this Tele/Rickenbacker hybrid:
This is a guitar which was constructed using:
Fender MIM neck Serial Number MZ4013361 (hard rock maple) Non-Fender Tele style Mahogany body Rickenbacker horseshoe pickup from a Rickenbacker (old spelling is Rickenbacher) Model 100 lap steel Lipstick pickup (4.9K) GFS from Guitar Fetish Brass nut
Other misc parts from Guitar Fetish, staggered tuners and string tree, 3 way switch, tele jack cup, Tele dome knobs, cloth wiring.
This guitar was born in a Hamtramck second hand store where I found the Rickenbacker lap steel. At the time I could not even tell what brand it was because there were no tags, markings, or serial numbers on it. Also the body had been crudely modified, some wood cut away, strap buttons put on so it could be played slung around your neck more like a regular guitar. The store owner told me it had been owned by a friend of hers that had passed away. who was from the coal mining fields of Tennessee. He had also painted numbers on the metal fretboard. That genesis gave me the idea of putting this pickup on a telecaster style body.
Since the Rickenbacker is an old pickup with usage marks, I bought a Fender neck which showed a little natural wear. I then yellowed the face of the neck over the logo to make the neck looka little further aged. It is a very subtle effect. (I used gunstock oil infused with a little walnut dye.)
I picked up a mahogany body and modified it so the Rickenbacker pickup fit on it. At first I used a Gibson style wraparound bridge behind the rickbacker pickup. But it seems like some of that lap steel singing quality was missing. So I filled those holes, cut a little more wood and used the bridge integrated into the pickup. I also more tightly attached the neck to the body by using threaded steel neck inserts instead of the standard wood screws. You can search on ebay to see what inserts are are like.
The end result is that this thing sings like a woman! I took the guitar to my sister's house in Michigan's UP and played with her old-timey, bluegrass band. With the bluegrass band, I had to use the lipstick pickup because the Rickenbacker was too powerful, too bluesy. We were just playing an instrumental, but after the end of one song, someone asked "Who is singing?" No one was singing. It was the TeleRick. I was playing on the next song, and I thought I heard a woman singing vowels, I looked up from the fretboard and no, my sister (the only female musician present) was not singing. It WAS the guitar.
I had configured the guitar with a brass nut at first. It sounded great. I then switched to a solid plastic nut, and the open notes sounded more muffled than the notes held with the slide did. So, I put the brass nut back on. Also, when you play I think the brass affects the tone even more than just the open notes. I mean, the string does vibrate from the slide back to the nut unless you dampen it. The lipstick pickup loves the brass nut. I think the singing woman tone is a combination of the brass nut, lipstick pickup, mahogany body, threaded steel inserts, and the very solid Rickenbacker bridge. As I mentioned, the bluegrass people were not into the powerful Rickenbacker sound.
I put a 3 way switch on the guitar so you get the raw lipstick pickup, lipstick and Rickenbacker combined, and Rickbenbacker by itself. The tone and volume knobs only affect the Rickenbacker pickup. I did it this way for a couple reasons. If you wanted you could physically move the Rickenbacker pickup from the tele body to the Rickenbacker body, by only by snipping two wires. If I had integrated the tone and volume with the lipstick pickup, then more wires would have to be cut. Tonewise, the guitar rocks this way. The lipstick is a kind of a hollowed out singing acoustic sort of sound, you can play 4 strings together and they blend like a gospel choir. The Rickenbacker pickup has twice the output of the lipstick and is more raucous so you would only want to play 2 notes together (unless you are going for the heavy distortion). So you can do this multiple string sliding with the lipstick, and then flip the switch and go into a real heavier tone on the Rickenbacker pickup. You can tone down the Rickenbacker pickup with its controls to more closely match the lipstick if you want. The one pickup sounds like a logical extension of the other.
This guitar sounds so good, it could be the basis for a whole new unique style of playing. You can get lost flipping back and forth between them for hours..
The string height (action) is such that you can play the classic boogie woogie on the low strings from open to the 7th fret, and if you are sliding at the 5th fret, you can press down the strings behind the slide to get the missing notes in the scale, but when you are at the 12th fret you will be all slide all the time. Now, the action could be lowered a little. The bottom of the brass nut could be filed, maybe the neck truss rod could be used, but the Rickenbacker bridge is a little higher than the tele bridge, so the action will always favor the slide player. But that is not a loss on this guitar, because this is a slide players guitar.
In my heart of hearts, I believe that is a guitar born for slide and it will need a slide guitarist to properly appreciate it. That is why I am putting it on a month long listing. This special guitar requires a special person...
Likely this guitar is as amazing as the seller claims, but it's sure not going to win any beauty contests. Personally I think the placement of the volume and tone controls is a mistake - and I appreciate this was dicatated by the plate used from the Rickenbacker lapsteel. Nevertheless, I think he should have put the controls in the usual position for a Tele, and maybe plugged the holes in the lapsteel plate - else not used the plate at all if it is detachable from the pickup. I'm not just talking aesthetics here, those controls would get in the way where they are.
Currently listed on eBay with a Buy It Now price of $1,000.
Just a Fender Telecaster, not a vintage model but a particularly beautiful one, the thinline Jim Adkins signature model with Seymour Duncan P-90s, Adjusto-matic bridge and magnificent transparent black finish.
The way it combines the simplicity of the good old Tele with a jazz guitar sophistication, how can one not love this guitar?
Here is a wonderful schlaggitare, but not a German one, this one comes from Austria (first Austrian guitar on Guitarz I guess). It was made by Joseph Rossmeisl, not closely related to the Roger Rossmeisl who designed guitars for Rickenbacker and Fender and inspired Mosrite, nor to Roger's father Wenzl Rossmeisl, a famous german luthier who created the Roger brand (is it clear?) Anyway, the Rossmeisl are all originated from Krastice (Graslitz) in Czek Republic - 20 km from Markneukirchen...
Joseph Rossmeisl relocated his acoustic guitar company in Austria after the WWII and started to release jazz guitars such as this beauty under the SIR brand. I don't think that the pickups are original because I saw the same guitar with different ones and I doubt that at the time one would put two kinds of pickups on one guitar - and these ones look like Teiscos to me. The scratch plate is missing, but you still have the extremely cool control plate with rotary switches (I've already seen similar ones on German guitars, just can't remember which ones right now), trem and unique black diamonds on blonde finish.
Another video, that gives the opportunity to see an Hagström Kent in action - played by Pat Place, one of the two guitarists of James Chance and the Contortions, a late 1970S New York-based NoWave band that combines jazz-punk with funk (it is said that James Chance differed from many of his No Wave colleagues, since he was really mastering his instrument - the saxophone - and expected the same from his musicians).
I cannot see the guitar very distinctly for the video is shot in a very... No Wave way, but it must be a PB-24-G model with its bolted acrylate front, the grid between its two single coils and the four switches in a curve. It sports the Hagström logo (you noticed that I write Hagström with a "ö", though it is distributed as Hagstrom in English speaking countries, but Umlauts are cool, aren't they?) but to tell you what it says would be complicated, for the same model had different names in different countries - for example Futurama in UK - the name evolved over time (1962-1966) and there's been at least three different versions of it...
Er, the title says it all but I can give some extra details: this is Public Image Ltd's first TV, on BBC2's show The Old Grey Whistle Test in 1980, performing Poptones from the Metal Box album. You can see Keith Levene playing a Travis Bean Wedge TB3000 - its quite unique triangle shape is easy to spot! Levene gets his razor-edged tone by using aluminium neck guitar - he's been playing also a TB1000 and an all-alu Veleno guitar. Jah Wobble plays an Ampeg AMB1 bass - aka the Scroll Bass - with its characteristic scroll headstock and body-through f-holes. One could tell than on top of being the brilliant creators of their own hybrid of pop and avant-garde music, these gentlemen had very good taste when it came to music instruments!
Actually while browsing through YouTube this morning I didn't only watched old PiL videos, but also saw a Michael Jackson/Eddie Van Halen one, and I understand that some people still loathe the 1980s for having been shallow and flashy, but that's just because they only look at the mainstream crap. To me it was a time of great and radical music, that I highly enjoyed then and since, and PiL was the herald of it!
Here's a little extra something that I bet you wouldn't mind finding in your Christmas stocking this morning.
Via the Guitarz Facebook page Bryan has asked if we can shed any light on this diminutive G L Stiles 4-stringer which comes complete with its original case. He initially thought it was a tenor guitar, but says that it's "very small as well about half the size of a regular guitar". That's too small for a tenor, so I'd wager that this was intended as an electric mandolin and borrows Fender's idea of using just 4 strings instead of 4 courses of paired strings as on a traditional mandolin. As to any particular information about this mandolin, that's nigh-on impossible, I'm afraid, for during the 1960s and 1970s Gilbert Lee Stiles built a number of what were essentially one-off instruments from his workshop in Miami, Florida. It's highly possible that this mandolin is the only one that he made.
There's a lovely Jolana Proxima being offered for sale on eBay UK with bidding currently at £65 at the time of writing. I'd dearly like to join in the bidding myself, but do not have the funds (nor the space) available right at the moment. The Proxima, made in Czechosolvakia in the 1980s, is a close relative to the Jolana Galaxis guitar which had pickups and controls front-mounted on a pickguard, Strat-style.
The guitar appears to be in excellent condition, although strangely the Proxima logo is missing from the headstock. Pickups are a pair of huge humbuckers, identical to the single unit on my Jolana Disco. The chunky machine head buttons are another item these guitars have in common. The tremolo/vibrato is of the Jazzmaster persuasion, which I guess is in keeping with the Proxima's offset body design.
Thanks to Alex for bringing this guitar to my attention.
I'm going to be lazy and lift the details about this Kawai guitar straight from the seller's description on eBay. When it's already been said so well, why re-write it?
The downright weirdness of this guitar may be lost on most of you, but for those collectors of 1960s Japanese vintage, bizarre and lawsuit guitars, this thing is so bad it's good. What we have is a 1968 Kawai knockoff prototype of what was at the time one of the strangest and most novel pieces of guitar technology out there: the Ovation smooth-bowl Glen Campbell model. You gotta give it to the Japanese, they didn't waste anytime. But not only did they copy what is now perhaps the rarest and most sought after Ovation, they one-upped them as well in the strangeness category. First off, the smooth FRP resin bowl is LIME GREEN! On top of that, the neck is triple-bound, the headstock is pointy and devilish and capped with three-ply laminate and an awesome Kawai emblem, and the fingerboard is inlayed with upside down Teisco Spectrum 5 inlays (makes perfect sense as the Kawai factory was turning out those Teiscos at the time). And if that isn't cool enough, the tuning keys have CLEAR enclosures. Talk about space age tech.
Currently listed on eBay with a $400 starting price and a Buy It Now of $600.
Thanks to Jaimie Muehlhausen for bringing this one to my attention.
In the late 1960s and early 1970s, the BBC had this ridiculous policy of wiping videotapes of programmes after broadcast - supposedly so as to save storage space and to enable tapes to re-used. In this exceedingly short-sighted move many classic TV programmes have been lost possibly forever (which is a particular bug bear of fans of the classic Sci Fi serial Doctor Who). How the BBC didn't ever envisage the onset of the domestic video market is completely beyond me. Anyway, the above clip of David Bowie performing "The Jean Genie" on Top of The Pops was one such clip believed to have been wiped and lost forever. Thankfully for us, John Henshall, the cameraman who shot the clip had a copy of the videotape in his personal collection. He had been unaware all these years that this particular performance was missing from the BBC's own archives. This clip was broadcast for the time since 1973 on last night's edition of TOTP2 on BBC2 here in the UK. (Read more here).
Note that the version of the song that appears here is quite different from either the single or album recordings, and features a great solo from the late great Mick Ronson on guitar.
Here is a National New Yorker lap steel guitar from 1947. Apparently there were 15 variations of the New Yorker produced between 1935 and 1968; the Art Deco stylings of this particular example were supposedly inspired by the Empire State building.
I always think that lap steel guitars were ahead of their time in some ways. Whilst they didn't altogether abandon the traditional hourglass guitar shape, makers did experiment with a whole variety of different shapes and designs whilst contemporary "Spanish" style guitars (i.e. played in the regular way and not lap steel style) had ultra conservative designs for the most part. And then there's the hotly debated question of who developed the first solidbody electric guitar. Was it Leo Fender with the Broadcaster/Esquire? Was it Les Paul? Or was it even some obscure Norwegian guitar manufacturer? I have to wonder why so much noise made about this when it seems that lap steels had abandoned the acoustic resonating sound box ages before Les Paul or Leo Fender had their brainwave ideas.
This particular lap steel is currently listed on eBay Australia with a Buy It Now price of AU $1,300 (Australian dollars).
The name Floyd Rose is synonymous with locking tremolo systems but many people forget that Floyd Rose produce their own series of guitars. This Floyd Rose headless guitar looks a little like a Strat that's met with an accident; it's no wonder that other Floyd Rose designs with tuning taking place solely at the bridge still have a headstock for aesthetic reasons.
This guitar was said to have been originally priced at $500 (the seller doesn't tell us when) and is currently listed on eBay with a starting price of $175.
Here's one of those odd little footnotes from the history of the guitar. This 1930s Paramount L-Style Tenor guitar, made by Martin, has borrowed several design elements from the banjo. Beside the obvious banjo-derived headstock with banjo tuners, the main body is set into larger rim and back with a series of 20 small soundholes arranged around the lip. The back and rim make for an exceptionally large body for a short-scaled instrument. Apparently only 35 of these were made so it's quite a rare piece, and this is reflected in the $3,500 Buy It Now price on eBay.
Regular readers of Guitarz will know that we are enthusiastic about East European guitars, particularly those from the Soviet era. It's not often that we look at contemporary instruments coming from Eastern Europe.
Fibernare Guitars are made in Hungary by the Benedek brothers. In the 1980s the three brothers Attila, Csaba and Árpád, disparaged by the price and availability of electric guitars in their country were encouraged by their father to build their own. Other guitarists took notice of their self-built instruments and very soon they were building guitars for others too. Eventually this led to the establishment of Fibenare Guitars Co. in 1998.
The Fibernare Erotic Regime is the Brothers' take on the traditional three singlecoil pickup guitar, and thankfully looks very unlike the most famous exponent of that species of guitar. The Regime is part of Fibernare's "Erotic" series; with those curves you can see where that name comes from. The sculpted fluid-like body design looks as if it could be molded from some kind of high density polymer, but is in fact carved alder. The neck is, appropriately Hungarian alder; it's a bolt on design with a sculpted heel to ease access to the highest of the 24 frets.
The Regime is super lightweight at only 6 lbs and has a cunning control layout allowing the player to morph seamlessly between the most glorious Strat and Tele tones with the greatest of ease. The controls consist of volume and tone pots, 5-way pickup selector, and 3-way rotary switch which allows for the following settings:
1) Front position on rotary: standard strat 5way selection; 2) Middle position on rotary: neck and bridge pickups wired together in the 1st and 5th positions, 2nd and 4th positions is all 3 pickups, 3rd position is middle pickup; 3) Rear position on rotary: neck pickup phase inverted (PI) and wired to the output so: 1st position PI neck pickup, 2nd and 3rd position PI neck with middle pickup, 4th position PI neck with middle and bridge pickups, 5th position PI neck with bridge pickup.
The Fibernare Erotic Regime is available via Vintage & Rare priced at €2150.
The most immediately obvious design element of this 1960s single pickup electric guitar from Mr. Peters Guitar Mfg. in Santa Ana, California is the Batwing shape on the treble side of the body. However that is not the feature that makes this guitar really interesting, for it is the prototype of Peter Sceusa's patented "Sceusa neck" (Patent 3,091,150) that later appeared on several Rickenbacker guitars.
In cross section, the Sceusa neck's profile is asymmetrical with the thickest section being behind the bass strings, so that the back of the neck tapers from the bass side to the treble side. The concept was developed to allow the player to fit the neck to the arch between the thumb and forefinger of their left hand. In practise it is said to have worked well enough for those players who like to hook their thumb over the fingerboard, but for playing barre chords with the thumb at the back of the neck it posed problems.
This guitar is currently being offered for sale on eBay with a Buy It Now price of $25,000.
We've already looked on in horror and dismay when confronted with modifications made to vintage and classic guitars. Time and again, we've said, if you're going to mess around with something choose something cheap and Chinese-made that nobody is going to lament the demise of if it all goes horribly wrong (as it so often does).
The eBay seller describes the work carried out on the guitar:
The body was cut in half. The inside was routed to leave roughly 1/2" sides, a 1/4" top and back, and a 4" solid core running from the neck pocket to the end of the stop tail. A sound hole and control access holes were cut in the top. The body was re-glued and then routed for a middle pickup. The finish on the neck is still the factory polyurethane, but the body was stripped and refinished in nitrocellulose. The body finish is thin and a little bit coarse in some areas. An aluminum pickguard was added, along with aluminum truss rod, control cavity and jack plates. The stock pickups were pulled and replaced with a set of three handmade humbucker sized blade single coils built around exposed alnico 5 firebird magnets. One master volume knob, one master tone knob and three individual on/off switches for each of the pickups.
Currently listed on eBay with the auction due to finish later today. Bidding has been keen already, although I doubt it'll sell for big money. Bidding is at $127.50 at the time of writing.
The Fender Telecaster has a small, compact headstock, so it's hard to imagine that same headstock being used for a 12-string version of the Telecaster. However, this enterprising eBay seller has developed a very cunning and neat way to fit 12 machine heads onto a Tele headstock. The converted Tele also includes a bridge conversion with Gotoh 12-string saddles.
Neat, but I wonder how fiddly it would be to change strings?
Can't help it, if there's a Wandrè available around, I have to show it here! And the Scarabeo is not the less amazing creation of wild Italian luthier Antonio "Wandrè" Pioli! Actually it's also one of the rarest, so I have no more info about it, but looking at it is enough, isn't it?
I was having a whizz around the Guitarz site - as you do - and I came across the black '81 Dean Cadillac, so here's mine which I picked up around 14 years ago. It's all original, with a 2-octave thru-neck, gold-coloured (plated?) hardware and the smaller 'shrimpfork' headstock, which seems to frowned upon by most Dean enthusiasts; personally I prefer it - the larger 'V' headstocks appears too big to me, giving something of an unbalanced look. I don't know what year the guitar was produced, or the country of manufacture (I'm pretty sure it's not USA made) but I'm led to believe that Cadillacs were only made with those headstocks between '83 and '85.
Maybe you can shed a little more light.
Cheers, Dave.
I confess I don't know a great deal about the particulars of the various Dean guitars. I always quite liked the large headstocks, although there's no way you'd get a straight string-pull on one of those, so I can understand why they experimented with a more sober design. If anyone out there can help Dave with his questions, please leave a note in the comments below.
Here we have a 1960s vintage Fasan semi-hollowbody complete with vibrato, three pickups and a plethora of switches and controls. Fasan were a German manufacturer, but the seller of this example makes a big noise of that fact that it resembles the Welson/Dynacord DC-3V model and, I guess, is implying that it may have been made in Italy and re-branded with the Fasan name. Well, I can see the similarities, but they are not THAT similar and are certainly from separate manufacturers. The body shape is definitely quite different, with the Italian guitar having much more Mickey Mouse-style horns (Oh no, not him again!).
Fasan (which means Pheasant, by the way) were a German guitar manufacturer and I see no reason to doubt that this guitar was built anywhere but in Germany.
Currently listed on ebay with a Buy It Now price of $679.95.
Thanks to Luke Tildsley who saw this guitar on eBay and made us aware of it!
A couple of weeks ago we've been having a glimpse at a National Resolectric that appeared on some TV show.
Well if you are looking for one in Europe and have a couple of grands to spare, look no more, you will find one here.
It looks pretty vintage but it's the most recent model, with piezo pickup and stuff! Actually, if I may say, the chickenhead knobs are a little bit overstating!
In a weird piece of synchronicity, after posting about the Mickey Mouse guitar yesterday and linking to a previous Guitarz post about the Mickey Mouse club Mousegetar, I found the above-pictured Selco Skiffle Junior plastic toy guitar (or maybe its a ukulele) on eBay UK - the design of which has been borrowed from the Mousegetar. I'm thinking that the Skiffle Junior was originally intended as a plastic Mousegetar - look closely at the design - you can still see the outline of Mickey Mouse's face. Note also that the tuning pegs resemeble Mickey Mouse ears.
The Skiffle Junior dates from 1956. Perhaps they were just going along with the current trends. To begin with Disney was popular, then the Skiffle craze came in and so they altered the design. A few years later they would issue the more famous Selco Beatles plastic guitar.
Currently listed on eBay UK with a starting price of £45.
The fact that this Mickey Mouse guitar is a novelty instrument and that it features hardware identical to some other novelty guitars we've looked at recently (namely the M&Ms and iPod guitars) makes me think they may have been produced by the same manufacturer. It's a pity that the hardware couldn't have been disguised or somehow painted to match the design of Mickey's face. As it is, he looks like he's got some very bizarre facial piercings. As to whether this is officially licensed Disney product or effectively a bootleg guitar, I could not tell you.
Currently listed on eBay with a Buy It Now price of $399.99.
Blimey, for such a little guitar this Guild X-92 Harvey Citron Breakaway travel guitar sure has a lot of names! Designed by Harvey Citron (which explains half of the names) it was manufactured slap bang in the middle of the 1980s and has the features that you would expect on a guitar from that decade including three EMG pickups in Strat-like formation, a Kahler tremolo system for extreme dive bombing, and a body shape to keep the average hair-metaller grinning like a Cheshire cat. The clever part - as you will see in the above photo - is that the top fin is removable allowing the guitar to be packed into a diminutive gig bag for travel purposes. And if you're asking yourself why have the top fin at all, I have two answers for you: (1) aesthetics and (2) right forearm support. (Ever play a minimalistic-bodied travel guitar without forearm support? Believe me, it does get tiring.)
The guitar is listed on Gbase priced at $3,430. I appreciate it may be a rare beast but in the current financial climate I can't see anyone snapping it up soon unless they are rabid Guild collectors.
Fender, unlike that other American giant of guitar manufacturing Gibson, have never issued a doubleneck production model guitar (not counting, of course, lap steels and console guitars before some smart alec points it out). However, their Custom Shop have made one-off doublenecks in various combinations to meet individual customer requirements. Here we see listed on Vintage & Rare a so-called Fender Telecaster / Electric XII doubleneck. To quote from the blurb on Vintage & Rare:
This unique double-neck Telecaster / Electric XII weighs 13.40 lbs. and is a one-of-a-kind instrument specially designed and built by Master luthier Fred Stuart in late 1991 (completed in January 1992). The guitar features a beautiful asymmetrical double-cut, one-piece see-thru blond light-ash body with wonderful bluish 'veins' showing through. On the Telecaster side, rounded edges on the back and on the Electric XII, a contoured edge on the bass side, so that the body contours reflect the half of the instrument they represent. Both of the necks are hand-carved from solid lightly-figured maple and have 'slab' rosewood fretboards (the Tele fretboard is dark rosewood, the Electric XII fretboard is a lighter shade. The Telecaster neck has a wonderfully thin-to-medium profile (similar to a '66) and a nut width of just under 1 11/16 inches. The Electric XII neck has a very comfortable medium profile and a nut width of just under 1 11/16 inches. Both have a scale length of 25 1/2 inches and 21 medium frets with white dot position markers. The Telecaster headstock has the Fender mid-sixties "Transition" logo in gold with black trim with "Telecaster" and "Pat 2,573,254 3,143,028" The Electric XII "hockey-stick" headstock also has the Fender "Transition" logo in gold with black trim "Electric XII" and "Pat 3.143,028 2,960,900 3,177,283 & Pat Pend."
I quite surprised that the word "Stratocaster" doesn't get mentioned anywhere, for surely the "Electric XII" half of the guitar is itself a hybrid between an Electric XII and a Stratocaster. Certainly, the upper body shape, pickguard shape, and three singlecoil pickups in the legendary Strat layout all scream "STRATOCASTER"! Nevertheless, it is an interesting piece, and is not a combination that I have seen before from the Fender Custom Shop. It's only really the "hockey stick"-headstocked neck that is in any way reminiscent of the Fender Electric XII.
This guitar is available via Vintage & Rare priced at €12822.
Here's a Premier Scroll guitar manufactured by the Multivox Corporation of America in 1964. The apparently wooden top is actually a plastic laminate, whilst the fingerboard is Brazilian rosewood, and pickups are Rowe manufactured DeArmonds. The vibrato is a "Patent Pending" Jazzmaster-style affair.
Currently listed on eBay with a starting price of $849.
This guitar, currently listed on eBay with a Buy It Now price of $299, presents us with something of a conundrum. The seller lists it as follows:
Vintage Rare Hofner Electric Guitar
I bought this guitar around 2002. I suspected it was a Hofner though it did not have anything on the headstock to indicate that. At the Dallas guitar show that year there was a Hofner guy that confirmed for me that indeed it was a Hofner and offered a substantial amount of money for it. I declined because my intentions had been to get the guitar working for my own use but it's been sitting around, I've had some financial problems, and now I want to sell it.
I think that the "Hofner guy" at the Dallas guitar show doesn't know what he's talking about. I'd swear that it was a Vox Marauder. Unless Hofner had a near identical model, or Vox/Hofner had guitars built at the same factory and branded them afterwards (which is something I'm not aware of, but I'm not ruling it out).
Can anyone confirm or deny my suspicions?
G L Wilson
EDIT: The listing has ended already. I guess someone used the Buy It Now option. I did, by the way, email the seller saying I believed it to be a Vox Marauder.
This vintage Maton El Toro Bass looks at first glance similar to the Danelectro Longhorn, although perhaps slightly beefier in shape. It's certainly beefier in construction having a solid Honduras Mahogany body rather then Danelectro's masonite front and back stapled to a pine frame. The El Toro Bass has a medium scale length of 32 1/2", and were produced by Maton in Australia between 1968 and 1973. According to Maton's website the El Toro bass had serial numbers from 001 to 077, which doesn't quite tally with their claim that only 45 examples were made. The example being sold on eBay has serial number 072 making it one of the last ones built, and I'm guessing dating it to 1973.
1960s Australian pop band The Strangers were Maton endorsees and used the El Toro bass plus matching guitars as can be seen in the You Tube clip below.
This bass is currently listed on eBay with a starting price of US $850.
We've previously looked at that most desirable of all Teisco guitars - the Teisco Spectrum 5 with its split pickups and stereo outputs - here on Guitarz before, and I would have thought that was about as good as it gets, but look here, Henry Kaiser owns one of apparently only 100 built in plexiglass! Read more here.
This Winton Hawaiian Moon parlour guitar was a model made by the Kay Musical Instrument Company of Chicago between 1935 and 1940. The Winton brandname would most likely be for a particular retailer, although I can find little information about it on the internet. Note the deep V shape to the back of the neck in the above photo; this was actually quite a common neck shape back in the day. Of course, what really makes the guitar is the Hawaiian graphic on the guitar's top; I'm sure they won't be to everyone's taste but I think it is particularly attractive.
Currently listed on eBay with a realistic Buy It Now price of $349.99.
Acoustic don't get much curvier than this. It's a Jon Kammerer Glitter Rose series 6-25G electro-acoustic guitar, and despite its black finish is not made from carbon fibre or some high density plastic, but is of maple construction with an ebony fingerboard. The guitar is fitted with an L.R. Baggs Element pickup. The innovative, patented parabolic design is said to increase structural strength and durability, yet maintain tonal projection while reducing the size/weight of traditional acoustic guitars.
Currently being auctioned on eBay with bidding at $267 at the time of writing this blog post and just over 18 hours to go.
Here is a early guitar from Chicago's Kay Musical Instrument Company; the seller claims it is from 1929 but this is unlikely seeing as the company wasn't formally established until 1931.
This Kay Wood Amplifying guitar (that's what it says on the headstock) would appear to be some little known species of resonator guitar. Of course, most resonator guitars use one or more spun metal cones to project the sound forward, but this Kay instead has a wooden resonating chamber with a trough that feeds the sound upwards to the dual grille holes. The chamber is covered by a wooden coverplate which helps give it the appearance of a resonator. How well it actually works in practice, I am afraid I cannot tell you.
Currently listed on eBay with a starting price of $995 and no bids at the time of writing. Bear in mind that similar instruments have been listed for over $3,000.
Following on directly from our previous post here is another vintage Japanese-made Domino guitar from the same eBay seller. This one is a Domino Baron 12-string electric solidbody which, again, has more than a hint of Hagstrom to its design.
Currently listed on eBay with a Buy It Now price of $549.99.
Regular readers may remember this collection of Dominoes that was being offered for sale on eBay back in September 2011 with a Buy It Now price of $11,000.
Unsurprisingly the collection of 12 Japanese-made Domino guitars and one Domino Combo King electric organ did not sell, and now it turns out that the seller is trying to sell the guitars individually. This 1967 Domino Dawson is a semi-hollowbody, obviously designed after the Gibson 335 although with a bolt-on neck and perhaps a touch of the Hagstrom Viking about it with its Fender-esque headstock.
This is listed on eBay which a not unreasonable Buy It Now Price of $525.
The Guild S-200 Thunderbird was the guitar of choice of Muddy Waters and and The Lovin' Spoonful's Zal Yanovsky. It was the inspiration for the 1990s Korean-made DeArmond-branded Jet Star, a guitar which is collectable enough in its own right. Naturally, the original USA-made Guild is, of course, much cooler with its antiquated looking controls, its slablike oblong DeArmond single coil pickups and the built-in stand in the back of the guitar, while the vibrato would not look out of place on one of Italy's idiosyncratic Wandre guitars.
Currently listed on eBay with a Buy It Now price of $3,750.
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