Guitar Info

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Greg Lake used to feel a bit shortchanged next to his colleagues in Emerson, Lake and Palmer. Carl Palmer had a huge battery of drums and Keith Emerson was surrounded on all sides by keyboards. Meanwhile Greg Lake is standing there with just a guitar. Not only did he try to re-dress the balance of things by marking his territory on stage with a large antique Persian rug, but he also got himself this simply enormous doublenecked guitar/bass.

Apparently it was one of only two doublenecks built by the now legendary Tony Zemaitis. Unfortuantely it was also extremely heavy, and so Lake was unable to play it onstage for more than a couple of songs. Deciding it was too impractical, he eventually gave it away. Considering the value of original Zemaitis guitars (as opposed to the recent Japanese tributes - and they are costly enough!), he must be kicking himself now.

I wonder where it is now?

G L Wilson

Guitarz - The Original Guitar Blog - now in its 9th year!

Now, don't get me wrong, I think this aluminium-bodied Tokai 'Zemaitis" Talbo is a really tasty looking guitar, but why tag on the totally spurious Zemaitis connection?

The late Tony Zemaitis created some amazing high quality "boutique" guitars, and was quite an innovator with distinctive designs such as his engraved metal fronts and pearl mozaic tops. (See the Official Zemaitis Guitar Owners Club website).

I was alarmed a couple of years ago when the Japanese appropriated his name and began making faithful replicas (see www.zemaitis.net). They are high-quality replicas, but personally I find the idea of putting them out under the "Zemaitis" banner a little bit tasteless.

Now this Tokai Talbo is one step further away again. It's a Tokai Talbo (which always was a metal-bodied guitar) but with a Zemaitis-shaped headstock. As far as I am aware there is no genuine Tokai/Zemaitis connection so, again, this seems improper.

A fine guitar, but why cash in unnecessarily on the late Tony Zemaitis' name?

Leafing through a Japanese guitar magazine the other day, I was rather surprised to see an advert for a new line of Zemaitis guitars. How can Zemaitis guitars exist without Tony Zemaitis, who sadly passed away in 2002? His operation was hardly comparable to that of Gibson or Fender. He wasn't the head of a factory churning out guitars; he used to build all the instruments by hand.

It seems someone (or some company more likely) has bought the rights to the Zemaitis name. My initial impression is that it sounds rather like sacrilege to me, although is it any worse than the Danelectro re-issue guitars courtesy of the Evets Corporation that have nothing whatsoever to do with the original Danelectro guitars, or the new American Vox guitars?

For more about Tony Zemaitis and the original Zemaitis guitars, see this article.

If you've got any spare wads of cash lying about the place doing nothing, then you may want to head on over to Maverick Music and check out the vintage guitars on offer, including some drool-worthy Zemaitis and Patrick James Eggle custom instruments. (My thanks to Mark Hansen for the link).

I've only just found out that Tony Zemaitis sadly passed away on Saturday 17th of August last year.



He was one of the first guys that built guitars finished with metal or pearl fronts. They always looked great and were much loved by people such as Ronnie Wood and Ronnie Lane amongst others. You can see a gallery of some of his fabulous instruments here.